Jakub Choma
jakubchoma1995@gmail.com
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About
Press


CV.pdf
Portfolio.pdf


Publication

Metallic Aftertaste (booklet)
Healing Through Fatigue (catalogue)


Selected Texts On Work

Untidledbb (18 questions with)
Everything is Labour (interview)
Reality Scrapyard (essay) Metallic Aftertaste


Upcoming (2026)

Superglue, or Inventing the Friend (group exhibition)
Memory of Touch: Chapter 1 (group exhibition) 
Powerlines (group exhibition) 



Current (2025)

Crossroads Shimmer Like Hesitant Stars (2025)
Havrlant Art Collection 10th Anniversary (2025) 
J&T Art Index Pop-up (2025)


Recent (2024/2025)

Healing Through Fatigue (2025)
Solo at Art Cologne Fair, New Positions (2024)


Selected Solo Exhibitions

Crossroads Shimmer Like Hesitant Stars (2025)
Healing Through Fatigue (2025)
We Are Smelly, Atomised, Chemical, Vanilla
(2024)

Metallic Aftertaste (2023) 
Distant Hum (2021) 
Gears of Life (2020) 
Resilience (2019)
Stepping on a Lego (2018)


Selected Group Exhibitions

bottom’s just another floor (2025)
Flower Union (2022,2023)
An Incomplete & Unreliable Guide to Social Media War Room (2021)
State of High Performance (2021) 
Quantum Fields (2021)
Máscaras (2020)
Dystopian Realism (2020)
Jindřich Chalupecky Award (2020)
Swamp Horses (2019)
First I Have to Put My Face On (2018)


Online Projects And Contributions 

Wounds heal faster in a metallic mouth (2020) / Beta Ground (Delirium Obstacle), (2019) as part of Flatland Ofluxo project + special graphic bonus contribution for Flatland Reader
Sibling Gardens 6, (2021)
Metabolic Modulations, (2023) 

Mark

State of High Performance

Artists: Jakub Choma, Claire Fontaine, Kasia Fudakowski, Martin Kohout, Ariane Loze, Pilvi Takala

Curated by: Christin Müller
Date: September 2 - December 5, 2021
Venue: basis e.V., Gutleutstraße 8-12, 60329 Frankfurt, Germany
Photography: all images copyright and courtesy of the artists and basis e.V.


To-do lists, time management, constant performance improvement, stress control...

The credo for a high level of productivity is omnipresent in our present society. But what does productivity actually mean and how does it come about? Why do we seem to dedicate ourselves to this compulsion to be constantly productive and to what extent does this pressure for efficiency also affect artistic production.The group exhibition State of High Performance highlights facets of this highly complex and seemingly ubiquitous topic of productivity and its structures. It features artistic works that investigate the concept of productivity in an ironic, resistant or critical way.

They not only shed light on production conditions and processes designed for high productivity, but also ask how efficiency can be determined at all. The extent to which intangable or artistic work is also subordinated to these patterns plays just as much a role as being constantly available in a productive world driven by competing forces. What effects this has on our mental constitution and social relationships and what reactions an alleged denial of productivity brings with it also come into focus.

By shifting the need for productivity to an individual artistic working method, deliberately exaggerating the principle and its consequences, or consistently reversing it, the works on display not only reflect the structures of that precept, but also encourage a critical examination of the urge for productivity and its consequences.

– Christin Müller

Kindly supported by Kulturfonds Frankfurt RheinMain, Dr. Marschner Stiftung, Frame Contemporary Art Finland, Kulturamt Frankfurt